#Wirecast 14 manual how to#
#Wirecast 14 manual full#

WIRE-17882: Added an option on Wirecast Gear licenses to disable audio capture.

Plus hundreds of additional bug fixes and improvements!.

Updated Multiviewer with new audio meters.

The status bar is now moved to the bottom of the screen, giving more space to show System CPU and App CPU, as well as other streaming stats.

Updated to NDI 4.5, ported OpenGL to Metal on macOS, updated webstream plugin (libVLC), for improved connectivity and efficiency.

We’ve made improvements to – and we've also given you more control over – the way incoming audio and video are synced together, ensuring more accurate lip-sync.

Plus, incoming sources are now scaled automatically, and will maintain their size based on settings you choose.

We’ve added new options for sizing and scaling sources, making it easier to precisely size your videos and images on the canvas.

Improved ability to size and scale sources.

When a source gets disconnected, you can now choose to replace it with transparency or a custom image.

More options when sources get disconnected.

Smoother text scrolling and a new font picker to select font variants.

Improved reliability for Wirecast Go, Rendezvous and webstream sources, plus efficiency improvements with GPU decoding for NDI sources.

Better, more reliable incoming video source connections.New options for more accurate keying, including spill suppression, edge coloring, and clipping ranges. Plus a Luma Key (useful if you have a logo with a white or black background you wish to remove), and Color key (useful for images (logos) that have non-black and non-white backgrounds).All new Chroma Key (with special guests Luma Key and Color Key).We’ve also focused on improving the experience of doing remote guest interviews by improving Rendezvous’ stability as well as adding more flexibility for what displays if your guest gets disconnected. Wirecast 14 is an epic release with a LOT of stability and reliability improvements. Additionally, we have several new features including an all new Chroma Key with added Luma Key and Color Key options. If you want to renew your Insider or Premium Access membership, visit our Support pages.

#Wirecast 14 manual how to#

Here’s information on how to update or upgrade.Īnd remember: If you are a Wirecast Insider Access member (which is included for one year when you purchase a license), then you get this upgrade for FREE!

#Wirecast 14 manual full#

And much much more!!!įor a full list of our features, improvements and bug fixes for Wirecast 14.2, head over to our Version History page. Audio in Web Page sourceĪdded the ability to adjust audio from a Web Page source as well as stream it out as part of your broadcast. You are also given the option to choose the “default” connection which will rely on the one chosen in the Blackmagic control panel. This option will be hidden when the device only supports one option. This helps ensure you have the right connection chosen, to reduce errors in your incoming sources. This new option lets you select the type of video/audio input connection (HDMI/SDI) used for incoming Blackmagic Designs sources. Click to “Enable” Auto-Captions in the Wirecast Output Settings for LinkedIn, and your viewers will see be able to see the captions in their player. Now you can easily make your LinkedIn Live broadcasts more accessible by adding auto-generated captions to any LinkedIn Live video. This lets you pan, zoom and tilt your Sony X-Series camera with the built-in PTZ controller in Wirecast. Sony X-Series PTZ ControlĪ new Sony X-Series VISCA/UDP protocol profile is now available in the PTZ controller. You’ll now see a tally indicator on the top right corner of shots that are currently being ISO recorded. So with this feature, you can take a snapshot of your camera angle and lock that as your shot icon, making it easier to see at a glance which shot has which preset assigned to it. Typically, if you have live thumbnail icons on, then all the shots will show the current live view of the PTZ camera, so it’s hard to know what shot corresponds to what preset camera angle. This is handy if you have a PTZ camera with several shots for preset camera angles.